Selection of December 2024: The Bear's Greeting by Gregory Pol
From the zodiac, I had all the time I needed to observe her calmly and then to think about the composition of the image. I really liked the majestic, imposing posture when she stood up, lowering her head and passing her paw in front of her, like a salute, like a reverence... I often choose to develop my photographs in slightly overexposed black and white to show the purity of the animal photographed, while trying to bring an artistic dimension to my work. read more.
Talk #17: The Spice of Life by Beata Moore
Many believe that specialising in niche photography can be beneficial for photographers, on the other hand, covering various subjects helps one's creativity and can make financial sense. I have always had a keen interest in nature, this influenced my decision to study natural sciences. Five years of university studies instilled in me an appreciation of nature and especially, of the intricacy and the beauty of trees, so not surprisingly the trees featured heavily at the start of my photographic journey... read more.
Selection of November 2024: Solitude by Henrik Spranz
Early in the morning, the mantids are still very calm and there's time to find a good composition. With the early morning light coming through the trees and bushes at the edge of the meadow, I quickly knew this could be a great opportunity for shooting a silhouette of this fascinating insect... read more.
Talk #16: Challenges of the Year 2024 by Beata Moore
This year has been challenging for many, with unstable economies, political insecurities, and for many, personal setbacks. All these test our resilience and put strains on our lives. How we deal with it all is different for everyone but for me seeking support from loved ones and concentrating on photography helps me to stay grounded. read more.
Selection of October 2024: Synchronized by Merche Llobera
Photographing this scene presented its challenges. I was snorkeling without strobes, relying solely on natural light and timing. The devil rays moved unpredictably, so patience was key. I positioned myself at the surface, sometimes freediving slightly to anticipate their movements. This particular shot was taken from the surface, where I could capture the sun’s rays symmetrically radiating through the water. The composition was largely instinctive, shaped by the natural choreography of the rays and the baitball. read more.